Harry Bryant on Getting Locked Up in Indo, Metal in the Leg, and Ritual Vision’s Wild Creative Ride

The Beginning of Ritual Vision

When Dion Agius began arranging the world premiere of Ritual Vision’s debut film, Ritualistic Tendencies, at the Orpheum Theatre in Sydney, a sense of excitement and relief spread among the crew. For them, it was more than a premiere — it marked the completion of years of surf trips, injuries, creative work, and plenty of unpredictable moments.

Harry Bryant's Wild Indo Experience

Australian surfer Harry Bryant recalled one of the film’s most intense chapters: an unplanned jail stay in Indonesia. What was meant to be a quick surf mission turned into several chaotic days behind bars. According to Bryant, “We just wanted to chase waves, but one wrong move and suddenly we’re in a holding cell. It was surreal.”

Despite the ordeal, Bryant laughed off the experience in hindsight, explaining that the unpredictable chaos of surf trips often leads to “the best stories later.”

The Metal in the Leg Incident

Another major event shaping the film was Bryant’s severe leg injury. During one of the film’s shoots, a heavy fall on the reef resulted in a deep wound and a plate being inserted to stabilize his leg. Reflecting on that time, he joked that “the metal’s pretty much part of the costume now,” admitting it also pushed him to surf differently and appreciate his physical limits more.

The Ritual Vision Ethos

Ritual Vision is more than just a surf collective — it’s a creative movement. The team, including Dion Agius, Harry Bryant, and filmmaker Jimmy Lees, blend surf cinematography with photography, performance art, and ritual-like visual storytelling. Their approach celebrates surfing as both an artistic and deeply personal expression.

Bryant explained that Ritual Vision isn’t about polished perfection but about documenting the entire experience — injuries, strange encounters, boredom, and euphoria. As he put it:

“We’re not trying to look cool. The best parts of surfing happen when things go sideways.”

Looking Forward

After Ritualistic Tendencies, the Ritual Vision crew plans to continue pushing creative boundaries. They aim to feature fresh locations, deeper stories, and more experimental soundtracks. Bryant, now fully recovered, said he’s simply eager to keep moving: “The best part is still chasing the unknown.”

Author’s summary: Harry Bryant reflects on chaos, injury, and creativity while filming Ritualistic Tendencies, revealing how the Ritual Vision crew transforms unpredictable surf life into honest art.

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